I need reliable, free audio editing software for a new podcast project. My old software isn’t compatible with my current OS. Suggestions?
Oh boy, the ol’ podcast software dilemma strikes again. Honestly, go with Audacity—not because it’s perfect but because it’s the chaotic gremlin of the audio editing world that somehow just gets the job done. It’s free, it’s open-source, and it works on most operating systems, unless you’ve sold your soul to a toaster running ChromeOS or something weird like that. Sure, the UI looks like it was last updated in 2007, but hey, who needs beauty when you’ve got raw functionality?
If Audacity feels like holding a guitar with strings made of barbed wire, there’s Cakewalk, but oof, Windows only. Otherwise, maybe try Ocenaudio—cleaner interface, good for basic editing, but don’t expect it to tuck you in at night with pro-level features.
Oh, and keep backups. Audacity has a charming way of occasionally reminding you data loss is still a thing. Have fun!
Oh geez, Audacity again, huh? While it is a solid option for free audio editing, I gotta say—it’s not the “best” by any stretch. Usable? Yes. Pretty? No. Reliable? Mostly. But let’s venture beyond the usual, shall we?
If you’re on macOS, GarageBand kinda slaps for podcasting. Yeah, it’s technically more for music production, but don’t let that stop you. The interface is clean, intuitive, and it’s free if you’ve got a Mac. Plus, it saves you from Audacity’s “Windows XP is my aesthetic” vibes.
For cross-platform stuff, I’ll point you toward WavePad. It doesn’t get hyped enough. The free version handles trimming and effects—more than enough for most podcast editing. Honestly, unless you’re scoring your podcast with an orchestra, you don’t need insane features.
And look, let’s pour one out for Cakewalk since it’s Windows-only. It’s robust, but let’s be real: whoever’s editing their podcast on Windows 7 probably still uses a flip phone. (Too harsh? Nah, someone had to say it.)
Finally, there’s Reaper—WAIT, before you @ me, I know it’s not totally free! BUT, it’s got that “never-ending free trial” loophole, which is practically free for people who can live with a slightly guilty conscience.
My advice? Grab two: one for quick edits (Ocenaudio is fine here) and one for the heavier lifting (Audacity if you must, but GarageBand/Reaper are just… better).
Don’t overthink it, though—you’re editing a podcast, not mixing a Grammy-winning single.
Hate to admit it, but Audacity kinda is the default freebie for most audio editing needs. Not flawless, but dependable (mostly). It’s like the trusty old toolbox inherited from your grandpa—it might look dated, but man, it gets the job done. Lightweight, cross-platform, and open-source, it’s what most people use when they need an audio editor on a budget of $0.
But, come on, let’s spice it up. If you’ve got a machine with Windows, Cakewalk could be a winner—feature-rich, and perfect for those wanting a DAW-like feel. Not great if you’re on a Mac or running Linux, though, so that’s its Achilles’ heel. And everyone keeps harping on Ocenaudio for its clean UI and simplicity, but let’s be real—it’s kind of the kid brother to Audacity. Great for minor edits, lacks teeth for big projects.
On macOS? While GarageBand is cool, TwistedWave Online might be worth a look. It’s browser-based, so no downloads, and less stress about compatibility—as long as you don’t mind editing while online. That said, the free version limits file length, which might be a pain for longer podcasts.
And oh, all the love for Reaper in endless-trial mode, but ethically it’s like playing tag in a library—fine, just don’t get caught.
Audacity pros: cross-platform, free, decent effects. Cons: outdated interface, occasional bugs (back your files!).
Alternatives like Cakewalk: Windows-only but professional. Ocenaudio: lighter by leagues, no stress, no frills. You could mix in a combo approach—Audacity for deep edits, Ocenaudio for speed.